If I’d not heard him channel before, I might’ve been a little weirded out when he started mumbling under his breath at super-speed. Then he would stop, rewind, then repeat in his […]
Channeling the word and opening to wonder
Balance and Writing (part three): "Ballast, not Balance" by Jill Moore
Earlier this summer, the Clockhouse Writers Conference (CWC) at Goddard College hosted a keynote session on balance and writing. This is the final essay in a three-part series by the keynote panelists. […]
Balance and Writing (part two): “Striving for Balance in Writing” by Sam Sherman
photo credit: Jill Moore Earlier this summer, the Clockhouse Writers Conference (CWC) at Goddard College hosted a keynote session on balance and writing. This is part two in a three-part series of […]
Celebrating nonsense with Dr. Seuss
Ted Geisel looks happy to have company. He leans back slightly in his cushiony chair, his right foot propped against the edge of his drawing table and his hands folded comfortably over […]
Balance and Writing (part one): "Balance" by Jennifer McConnell
photo credit: Jill Moore Earlier this summer, the Clockhouse Writers Conference (CWC) at Goddard College hosted a keynote session on balance and writing. S&R is pleased to pass along, over the next […]
Nota Bene #114: Big Star
“The radio makes hideous sounds.” Who said it?
Hugo Best Novel Nominee Review: Julian Comstock, by Robert Charles Wilson
Worldcon, the annual science fiction convention for fans and writers, is taking place in Australia this year, at Aussiecon. As usual, the major interest will be in the best novel category, and […]
Nota Bene #112: GOOOLLLLLLLL
“Freedom of any kind is the worst for creativity.” Who said it?
Bloggers will be 'reimagined' in the future of news. We'll be rich!
So, you’re a blogger. You gettin’ paid for what you write? Nada? Thought so. Me, too. Nada. But don’t worry: Corporate types who run content businesses have big plans for us. They’re […]
One pocket? One poet.
By Ann Ivins Only in the shallowest of senses are the sonnets in Fatal Interview “traditional,” as they are often damned today. They are traditional, in outward form—Millay never went overboard for […]
