Nota Bene #121: Birds of an Ancient Feather

“Television is an invention whereby you can be entertained in your living room by people you wouldn’t have in your house.” Who said it? The answer is at the end of this post. Now on to the links! Continue reading

Nota Bene #119: Think! It Ain't Illegal Yet

“My wife and I were happy for twenty years. Then we met.” Who said it? Continue reading

Nota Bene #106: [no title due to budget cuts]

“Working for a major studio can be like trying to have sex with a porcupine. It’s one prick against thousands.” Who said it? Continue reading

Nota Bene #100: Il Planetario di Figaro

Wow, 100 issues of Nota Bene! Props to Russ for helping me for a while with this nifty little S&R feature. Never mind all that now, let’s get on with this issue. “What splendid buildings our architects would be able to execute if only they could finally be less obedient to gravity!” Who said it? Continue reading

Nota Bene #97: toDwI'ma' qoS yItIvqu'!

“To be truly free, and truly to appreciate its freedom, a society must be literate.” Continue reading

Nota Bene #96: Saturn's Hexagon and the Bulava Spiral

“Clothes make the man. Naked people have little or no influence on society.” Continue reading

Why American media has such a signal-to-noise problem, pt. 2

Part 2 of a series; Previously: What Bell Labs and French Intellectuals Can Tell Us About Cronkite and Couric

The Signal-to-Noise Journey of American Media

The 20th Century represented a Golden Age of Institutional Journalism. The Yellow Journalism wars of the late 19th Century gave way to a more responsible mode of reporting built on ethical and professional codes that encouraged fairness and “objectivity.” (Granted, these concepts, like their bastard cousin “balance,” are not wholly unproblematic. Still, they represented a far better way of conducting journalism than we had seen before.) It’s probably not idealizing too much to assert that reporting in the Cronkite Era, for instance, was characterized by a commitment to rise above partisanship and manipulation. The journalist was expected to hold him/herself to a higher standard and to serve the public interest. These professionals – and I have met a few who are more than worthy of the title – believed they had a duty to search for the facts and to present them in a fashion that was as free of bias as possible.

In other words, their careers, like that of Claude Shannon, were devoted to maximizing the signal in the system – the system here being the “marketplace of ideas.” Continue reading