“Haggard’s heroes attain a legendary stature as their adventures strip away what Tarzan, Lord Greystoke, calls ‘the veneer of civilization,’ and perpetually confront them with danger and death.’ – Robert Morsberger, Afterword to King Solomon’s Mines
1965 Hammer Films poster for “She” starring Ursula Andress (image courtesy Wikimedia)
This begins with Ursula Andress.
Back in junior high, when my buddies and I were the sort of slobbering idiots about girls and women that one our current POTUS candidates seems to be in advanced middle age, Hammer Films, the British film company that specialized in remakes of Dracula, Frankenstein, and the Mummy announced that it was releasing a new film version of the H. Rider Haggard adventure novel, She. More important to my crowd’s budding libidos, the film would star original Bond girl (there’s a respectful term) Ursula Andress (Andress was the first Bond girl, appearing in the first James Bond film, Dr. No, as the tastefully named Honey Ryder).
We dutifully, lustfully went to see She – which was a typical Hammer film: a lot of fun once one put one’s critical thinking skills on hold. In the aftermath of that experience, and without telling my friends, who would have laughed at my bookishness, I decided to read Haggard’s novel.
It was a lot of fun, too, and a damned sight better than the movie, Ursula Andress notwithstanding. I planned to go on and read King Solomon’s Mines, too, but something distracted me (probably baseball or a guitar) and I never got back to the Haggard universe.
Until last week. Continue reading