Old birds

Water flows around the rocks it cannot move…

Part five of my S&R Tokyo Series

They moved and talked the way old Japanese ladies often do, a bit hunched over but with animation and purpose. The sidewalk was crowded with people, most of them heading to a nearby Asakusa shrine for a ‘rooster’ day street market fair.

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Rode hard and put up wet: #ArtSunday

Form vs function at the Denver Art Museum

I encountered this slightly worse-for-wear old scooter down at the Denver Art Museum yesterday. The DAM’s wonderful North Building, designed by Gio Ponti and James Sudler Associates, rises in the background.

There are two versions of this shot here – a high-structure black and white that’s processed for maximum drama and color take that’s a bit more “realistic.”

Scooter on the Denver Arts Museum Plaza - black & white

Scooter on the Denver Arts Museum Plaza – black & white

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I am dynamic kung-fu dancing!

Greetings from Tokyo’s skid row…

Part four of my S&R Tokyo Series

Just a guy, a bit too much in his cups perhaps, that I photographed in Nihonzutsumi in Tokyo. He was next to a vacant lot where a Nodaya liquor shop used to stand. I liked him. He was a nice, chemically happy man…

(Nihonzutsumi, Tokyo, November, 2015. See my other work here and here.)

Yakuza leisure dōjō

Let’s alcohol with happy gangster human…

Third in my ongoing S&R Tokyo Series. Here’s part one and part two.

In Asakusa at Kamiya Bar (神谷バー) you never know who you might meet. My wife and I were drinking there one night in November, 2015 with an Australian friend and her Japanese husband. The tables in Kamiya Bar are packed closely together, so we couldn’t help notice that the people at the next table were having a hell of a good time.

I took a chance and asked if I could photograph them. They happily agreed.

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The democratization of photography: S&R Honors George Eastman

Our lives are full of Kodak moments, even now.

The New York Times estimates there will be 1.3 trillion photos taken this year. Granted, the signal:noise ratio is low. A vast majority of these images will be captured with mobile phones of varying quality. Most will be selfies and casual users curating the moments of their lives, and if you want to insert the word “banal” in that description somewhere I won’t argue. I learned not long after buying my first camera that there’s a big difference between doing photography and merely taking pictures.

All that said, 1.3 trillion – that’s a huge number, and it must be acknowledged that digital technology has exerted a democratizing force on creativity. New tools have provided those who can’t afford an expensive DSLR with a means to capture, process and interpret their worlds in remarkably inventive ways.
If you can afford a nice digital camera, as well as increasingly accessible top-end digital editing tools (I use Lightroom, Photoshop and several of the functions in the Nik suite), the options are, for all practical purposes, infinite. Continue reading

Yasukuni rain

Second in my S&R Tokyo series…

Yasukuni Shrine is an interesting place, but I won’t make more of visiting it than doing so deserves. Suffice it to say the Japanese struggle spiritually with militarism far more than we Americans do. Hirohito himself refused to visit Yasukuni in the last 21 years of his imperial reign.

My wife and I went there on a rainy Sunday primarily to browse a weekly flea market on the shrine grounds. We arrived around 9:45 a.m. There wasn’t much right-wing nationalist activity, just five or six men in olive-drab uniforms sitting out the rain in two black propaganda vans. They drove away 20 minutes later.

Everything at Yasukuni that day was wet, the sky was uniformly dour and grey, and the immense Daiichi Torii gate looked as if it was indifferent to who walked under it that day and would maintain its indifference for the next 1,000 years…

(Yasukuni Jinja, Tokyo, November 2015. See my other work here and here.)

Above the madding crowd: a brief note on the artistic process

I posted a different version of this shot a few days ago. I loved the explosion of color but it lacked focus. The eye wanted to look everywhere at once, which can be confusing and tiring. This one has been cropped and I pulled the light in tighter around the upper left third – note that purple bloom standing higher than the rest? – for greater impact. Sometimes I wonder if any work of art is ever absolutely, positively finished…

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Darkness/lightness

First in an upcoming series on Tokyo, Japan, and life generally…

This is brief recounting of two men from very different walks of Japanese life, whom I encountered in Tokyo near Ueno Station within 45 minutes of each other. The first, an older and somewhat rugged-looking salaryman, stopped for a smoke on the south end of Ueno Station by a ramp which descends down to the Tokyo Metro

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