WordsDay: Literature

Jane Austen, alt-right heroine…say what…?

“I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.” – Jane Austen

Various news sources, both here in America and elsewhere, are claiming that Jane Austen, doyenne of English respectability, has become a heroine to the despicable group called by the all-too-euphemistic moniker the alt-right.

Jane Austen (image courtesy biography.com)

For any rational person (and my beloved Miss Austen was nothing if not rational) her embrace by such loathsome characters is both horrifying and bizarre. Conservative as she was (Austen found her contemporary Byron’s behavior wild and reprehensible, for example, violating as it did the established social mores of Regency England), Austen undoubtedly would have found the behavior of a number of the more well known figures of the alt-right movement equally reprehensible. One has a difficult time, indeed, imagining Miss Austen feeling able to tolerate being on the same planet, much less in the same room with creatures such as Richard Spencer and Milo Yiannopoulos.

The alt-right loves them some Jane, though – for reasons that mystify anyone capable of reading Austen’s work intelligently. Continue reading

WordsDay: Literature

Book Review: Hank: a Storyteller’s Story by Rick Burnham

Hank: a Storyteller’s Story tells a tale of identity theft of the most literal kind and how, as victims discover their true identities how much our pasts inform our futures.

Rick Burnham’s brief novel Hank: a Storyteller’s Story is an exploration of two questions.

Hank: a Storyteller’s Story by Rick Burnham (image courtesy Southern Yellow Pine Publishing)

The first of these questions is one of identity: the novel’s heroine, Jennifer Johnson McCarthy is unhappily married and at loose ends. She feels as if she has lost who she is and the life she is leading as the wife of a controlling husband makes her both desperate and determined to find herself again. By chance, on their way home from a beach vacation, Jennifer and her husband Emerson, a driven corporate attorney, stop at a gas station/convenience store on the outskirts of Oak Springs, Florida. It is there where Jennifer begins a journey of self-discovery that changes not only life, but the lives of her entire family.

The impetus for Jennifer’s journey is hearing an old man named Hank Chatman tell a story. Chatman is a charming storyteller who appears once a week at the store and tells stories about local residents, stories which may or may not be true. Hank’s storytelling serves multiple purposes. The stories themselves provide a tall tale folklore of rural Florida culture – and amusement for his listeners (one about a chicken farmer and government experiments that create giant chickens is particularly good). More importantly, Hank’s storytelling allows him to connect with those who come to hear him.

Like Jennifer. Continue reading

Peter Guralnick’s search for the roots of roots music: the curse of being a critics’ darling

Guralnick’s Lost Highway runs smack through the heart of Nashville’s Music Row – as with corporate Pop, Country & Western has always been about sales and little else…

Lost Highway by Peter Guralnick (image courtesy Goodreads)

Lost Highway by Peter Guralnick (image courtesy Goodreads)

“‘Outlaw’ is the word that has been used, and abused, to describe…music that deviates from the Nashville norm. The principal way in which this music deviates, ironically enough, is that it is traditional music, which honors roots, black and white, which recognizes Jimmie Rodgers, Ernest Tubb, Hank Williams, and Lefty Frizzell – the pure lineage that runs in an unbroken line through country music.” – Peter Guralnick

(Read part 1 here)

This second essay about Peter Guralnick’s masterful collection of essays on roots music, Lost Highway: Journeys and Arrivals of American Musicians will focus on a second group of musicians: those who enjoyed little (or modest) popular success despite receiving highly positive reviews from music critics and the cognoscenti. These are the artists, and their stories pepper the histories of all art forms, known as critics’ darlings, a moniker that is more often more curse than compliment.

The received wisdom is that every artist is (or should be) pursuing his/her singular vision. In that way each artist’s unique vision can contribute to the growth of the particular art form and enrich the culture at large. Which artists become successful (critically and financially) is dependent on how their talents are accepted by both critics and the marketplace. The latter group, people who buy an artist’s work and support an artist’s career, is especially important in an art form such as popular music where commerce plays a bigger a role than critical appreciation. Continue reading

Lady Day’s blues: Billie Holiday remembers…

Holiday’s goal is to reveal herself without giving herself away.

“I can’t stand to sing the same song the same way two nights in succession, let alone two years or ten years. If you can, it ain’t music, it’s close order drill or exercise or yodeling or something, not music.” – Billie Holiday

Billie Holiday in full flight (image courtesy Wikimedia)

Billie Holiday in full flight (image courtesy Wikimedia)

Lady Sings the Blues is, I suppose, one of the first autobiographies by a popular music star. This, the first book from the 2017 reading list, is an “as told to.” One of the things the ghost writer (to resurrect an old term), William Dufty, a reporter for the New York Post and a personal friend of Holiday, does beautifully is avoid much revision of Holiday’s words. As best as I have been able to discover, Dufty did a series of extended interviews with Holiday without the benefit of tape recording. That Lady Sings the Blues reads like a transcribed conversation with Lady Day is a tribute to Dufty’s careful rendering of Holiday’s words in her voice.

Dufty’s success in allowing Holiday to speak for herself is both charming and haunting, both illuminating and (unintentionally, perhaps) misleading. What one realizes as one reads this autobiography is that Holiday’s goal is to reveal herself without giving herself away. Let me put that more accurately: what Billie Holiday tries to do in Lady Sings the Blues is not give her self away even as she reveals herself. Continue reading

Book Review: The Tell-Tale Treasure by Diane Sawyer

The Tell-Tale Treasure is a thriller for which one cannot use the standard descriptions such as fast-paced, edge of your seat, or thrill a minute. That is its most interesting appeal.

The Tell-Tale Treasure by Diane Sawyer (image courtesy Southern Yellow Pine Publishing)

The Tell-Tale Treasure by Diane Sawyer (image courtesy Southern Yellow Pine Publishing)

Diane Sawyer’s The Tell-Tale Treasure is a bit of an anomaly for a work of its genre.

This is a good thing.

The novel, written in 3rd person limited narration, shifts between characters throughout the work. Most readers will find the two most affecting of these narrations those that shift between Rosie Renard, an antiques dealer whose discoveries reopen a cold case concerning a talented classical musician who plays the erhu, a Chinese instrument similar to the violin, and Ivy Chen, a kidnapping victim who is a classical musician who plays that fascinating instrument…

What Rosie finds, and where that leads her and  the police and how all this works out to a successful (for the reader) conclusion is part of the charm of this novel. The pleasure for the reader in The Tell-Tale Treasure is not in its main plot. The pleasure for any astute reader of Sawyer’s novel is in the parts of the novel that offer readers the opportunity to know, really know, her characters, particularly Rosie and the musician mentioned above, the classical musician Ivy Chen. Continue reading

The 2017 reading list…

This year’s reading list will focus on music.

Nobelist Robert Zimmerman of Hibbing, MN, circa 1963. (image courtesy Wikimedia)

Nobelist Robert Zimmerman of Hibbing, MN, circa 1963. (image courtesy Wikimedia)

“Music expresses that which cannot be put into words and that which cannot remain silent” – Victor Hugo“One ought, every day at least, to hear a little song, read a good poem, see a fine picture, and, if it were possible, to speak a few reasonable words.” – Johann Wolfgang von Goethe

“If I  should ever die, God forbid, let this be my epitaph: THE ONLY PROOF HE NEEDED FOR THE EXISTENCE OF GOD WAS MUSIC” – Kurt Vonnegut

My deepest personal interest is in rock, as examples of my writing show again and again, but I like almost every genre of music – I have a deep, abiding love for classical, a gift from my grandmother, and I listen to lots of R&B, soul, and funk. I went through a period where I listened almost exclusively to jazz. I did the same thing with folk. And with blues. And with pop from the period characterized by composers and performers of what are commonly known as American standards (composers like Cole Porter,Irving Berlin, George Gershwin, performers like Bing Crosby, Frank Sinatra, Tony Bennett, Rosemary Clooney, Doris Day). I would like to say I have a deep, abiding love for country music, and I do find some of it powerful and moving, especially in its old school forms as practiced by old school artists such as Hank Williams (Sr.) and his successors such as Johnny Cash and Merle Haggard. But I’d be lying if I said it reaches me the way other genres do. Old fogy that I am, I have never really embraced hip hop, though again certain old school artists impressed me such as Chuck D, Ice T, and Kool Moe Dee. (I suppose this means I represent for east side).

Anyway, to the reading… Continue reading

S&R Honors John Lennon

S&R Honors John Lennon – a great writer, a great composer, a great man

Despite every attempt to marginalize and discredit him, John Lennon still matters and always will.

” I can’t wake you up. You can wake you up. I can’t cure you. You can cure you.” – John Lennon

John Lennon (image courtesy Short List)

John Lennon (image courtesy Short List)

Mark Twain once described his novel The Adventures of Huckleberry Finn as “A book of mine where a sound heart and a deformed conscience come into collision and conscience suffers defeat.”

Twain’s quote sums up the complex personality of our newest Scrogue, John Lennon – a sound heart often in collision with a deformed conscience.

Lennon’s achievements as a songwriter and musician are indisputable. With his songwriting partner (and lifelong friend) Paul McCartney, he is arguably the premiere composer of the 20th century. As a solo artist he left a body of work that is alternately brilliant, haunting, and petulant. As a writer he is an experimenter of the first order, playing with language in ways that rival Joyce and Beckett.

Even as we enter an age of not just indifference but open hostility to artistic achievement, his genius is undeniable. “If there’s such a thing as a genius – I am one. And if there isn’t, I don’t care” he once said of himself.  Continue reading

Book Review: Goldhead by J. Haviland

Goldhead is the best kind of novel of its genre – it is a novel that provides a great ride even as it reiterates a great lesson.

“People start acting stupid when a lot of money is involved, even people you think you know.” – J. Haviland, Goldhead 

Goldhead by J. Haviland (image courtesy Southern Yellow Pine Publishing)

Goldhead by J. Haviland (image courtesy Southern Yellow Pine Publishing)

J. Haviland’s novel Goldhead is a couple of things at once: it’s a caper story (the modern thread of the story follows a group of WWII vets hired in 1959 by a shady tycoon to find a lost Spanish galleon’s treasure); it’s a history lesson (Haviland creates a fictional explorer’s journal similar to that of Bartolomé de las Casas that tells a parallel story of  a 16th century conquistador’s expedition driven aground on the Florida coast by a hurricane that ends in disaster for all but the chronicler). Overarching both these narratives is the lust for gold – a fortune in gold from the Spanish colonial era that drives the behavior of the conquistador and his crew as well as that of the WWII vets and their crooked boss.

The novel is composed in alternating chapters and alternates between the Spanish expedition and the 1959 treasure seekers. Two things become obvious for the reader as this alternating plot structure unfolds: Haviland handles this plot structure beautifully, and avarice and greed separated by 430 years act in exactly the same way upon 16th and 20th psyches. Continue reading

Music and Popular Culture

The true story of The Beatles: Never apologize, it’s a sign of weakness…When They Were Boys by Larry Kane

“In Liverpool, no one ever really walks alone.” – Larry Kane

How much do stars owe to those who helped them become stars?

When They Were Boys by Larry Kane (image courtesy Goodreads)

When They Were Boys by Larry Kane (image courtesy Goodreads)

That is the central question in Larry Kane’s latest book on The Beatles, When They Were Boys. Kane has the credentials to ask such a question – he traveled as part of the press entourage attached to The Fabs during their entire 1964 and 1965 tours (and most of their 1966 tour). In that period he met many of the key players in the background of what is historically called Beatlemania: Brian Epstein, the record store executive who became their manager and paternal figure; Tony Barrow and Derek Taylor, two brilliant journalists and PR experts who helped the rising band become a media tsunami; Neil Aspinall, Mal Evans, and Tony Bramwell, local Liverpool mates who served as protectors, gofers, and confidants for the guys at the center of the maelstrom; and an array of former supporters, promoters, and club owners/managers ranging from Alan Williams (who died on the last day of the heinous 2016) to deposed Beatle Pete Best’s mother Mona to Sam Leach, a promoter who helped The Beatles gain better engagements and expand their reach beyond Liverpool to Manchester and other cities.

Each has a story to tell – and an ax to grind. Continue reading

WordsDay: Literature

Chekhov: Lost in the Steppe

“In sheer impotency he returned to the house, greeting with bitter tears the new unknown life which was now beginning for him…. What will that life be?” – Anton Chekhov

Sometimes even a great writer runs into the wall.

Anton Chekhov (image courtesy Biography.com)

Anton Chekhov (image courtesy Biography.com)

As I mentioned in my last essay, I’d been working my way through the Everyman Library edition of Chekhov’s stories. The longest story (really a novella) is called “The Steppe” and is, perhaps, something of an autobiographical work. Unlike most Chekhov works, it is a rambling, discursive narrative, episodic, at times slightly incoherent, yet ultimately satisfying a much for its insight into the workings of a great writer’s mind as it is for the work itself.

I’ve explored this topic before with one of my favorite authors, Jane Austen, and to discover this same struggle with a work in another writer whose canon status is inviolate is a pleasurable surprise. Not because I’m looking for feet of clay in a great writer, but because discovering a great writer working to overcome a writing difficulty. In Austen’s case it is that she tries to write her usual comedy of manners with a heroine more suited to a novel by one of the Bronte sisters. In Chekhov’s story, the problems – well, let’s get to them, shall we? Continue reading

WordsDay: Literature

The consolations of literature…

 

Life is a jest; and all things show it/ I though so once; but now I know it. – John Gay

It’s just words, folks, just words…. – Donald Trump

John Gay (image courtesy Wikimedia)

John Gay (image courtesy Wikimedia)

Friends ask me with some regularity why it is that I spend so much of my free time reading and contemplating and writing about literature. I forswore writing about politics several years ago. (I think it was about 2010 that I gave up trying to say anything useful on the topic. I may have let slip the odd veiled or not-so-veiled reference in the essays I write about literature, but my active days as a critic of this, that, or the other political activity or politician are over.)

Great days – or if the Chinese curse is more apt, interesting days – are upon us, however, and while I can and do find comfort at times in Lord Byron’s flippancy:

I would to heaven that I were so much clay,
As I am blood, bone, marrow, passion, feeling—
Because at least the past were passed away—
And for the future—(but I write this reeling,
Having got drunk exceedingly today,
So that I seem to stand upon the ceiling)
I say—the future is a serious matter—
And so—for God’s sake—hock and soda water!

I find that as I contemplate the changes likely to be wrought in my country with the election of the author of one of the epigraphs that begin this essay, that I must find more – and healthier – consolations than the one the 6th Baron of Newstead Abbey proposes.

And so I turn to literature.  Continue reading

WordsDay: Literature

The World’s 100 Best Short Stories, Sort of…Volume 7: Women

“It was almost a miracle, her kind of death, because out of all that jam of tonnage, she carried only one bruise, a faint one, near the brow.” – Fannie Hurst

“I love her like a madman, and I would kill myself this instant to rejoin her, if she were not to remain unknown to me for eternity, as she was unknown to me in this world.” – Alexandre Dumas

Fannie Hurst (image courtesy Wikimedia)

Fannie Hurst (image courtesy Wikimedia)

Volume 7 of The World’s 100 Best Short Stories is devoted to women. The ten stories in this collection seem to be efforts to find a theme that explains who women are. The various tales depict women as self-destructive, as self-sacrificing, as helpless victims, as brilliant tacticians. And yes, the collection also gives women the all too familiar Madonna/whore treatment.

At least one reason for this particular set of views of women may come from the authorship of the stories. Of these ten stories about women, only two are written by women.  One is by the redoubtable Fannie Hurst, one of the great “women’s authors”of the 20th century (she is the author of great pot boiler melodramas such as Imitation of Life and Back Street, both have which have been filmed multiple times with stars ranging from Claudette Colbert and Irene Dunne to Lana Turner and Susan Hayward. The other is an author named Bernice Brown about whom there is scant information, though she seems to have written for magazines such as The Century and, if the example from this collection is an indication, is an interesting proto-feminist.

So, we have a volume of stories that mainly tell us how men saw women in the early 20th century with a couple of women authors trying to tell us how women saw themselves.  Continue reading

The World’s 100 Best Short Stories, Sort of…Volume V: Drama

“The world was full of men and women like Luke and Kit. Some had given up great hopes because they were too good to tread down others in their quest. Some had quenched great talents because they were too fearsome or too weak or too lazy to feed their lamps with oil and keep them trimmed and alight. Some had stumbled through life with no gifts of talent, without even appreciation of the talents of others or of the flowerlike beauties that star the meadows.” – Rupert Hughes

Rupert Hughes (image courtesy Wikimedia)

Rupert Hughes (image courtesy Wikimedia)

This fifth volume of the collection (volume 1 here, volume 2 here. volume 3 here, volume 4, here) I’m working through, The World’s 100 Best Short Stories, focuses on the theme (I really should be using the word topic rather than theme, I suppose, but there we are) Drama. That term drama certainly gets a workout in this volume. The reader gets a taste of melodrama, naturalism,and psychological drama; even the classic twist of fate gets a workout in a couple of stories.

As has been usual in this collection, this volume is a mixture of writers now forgotten (or barely remembered now though popular in their time) and writers whose place in the traditional canon of literary stars is secure and likely to remain so. Thus one reads a story by the (in her time) highly popular Kathleen Norris, then a story by canonical stalwart Stephen Crane or a story by once popular but now forgotten Rupert Hughes (pictured), then one by one of the literary giants, Leo Tolstoy.

Hawthorne, Dickens, and Balzac are represented as are lesser but still noted literary figures like Alphonse Daudet and Guy de Maupassant (about whom I’ve written recently).  Continue reading

The World’s 100 Best Short Stories, Sort of…Volume 3: Mystery

“…silent was the entire dark, deserted house.” – Leonid Andreyev

Leonid Andreyev (portrait by Ilya Repin - courtesy Wikimedia)

Leonid Andreyev (portrait by Ilya Repin – courtesy Wikimedia)

This third installment in this series of essays (volume 1 here, volume 2 here) of this Grant Overton edited collection called The World’s 100 Best Short Stories focuses on the theme, mystery. Something that I have been particularly pleased with in these collections (there are ten volumes, each with ten stories) has been that the editor has avoided conventional definitions of each of the genres of writing covered in the series.

Such is the case with the theme of mystery. There are classic examples of the genre, to be sure: Edgar Allan Poe’s “tale of ratiocination,” “The Gold Bug,” is included, as is a classic Wilkie Collins mystery, “A Terribly Strange Bed.” There are “contemporary” examples (remember the publication date, 1927) such as “The Doomdorf Mystery” by Melville Davisson Post and “The Bamboozling of Mr. Gascoigne” by E. Phillips Oppenheim. All of these are entertaining (if slightly creaky in spots) as classics of mystery detection, thriller, or caper account (the Oppenheim story recounts a classic con game, for example). Continue reading

WordsDay: Literature

The world’s 100 best short stories, sort of…Vol. 1: Adventure

“The percentage of fiction which can hold its place with succeeding generations is, I believe, much smaller than critics suppose. Every generation has a right to insist that its own enjoyment of of experience is in one respect the best enjoyment, because the most complete.” – Grant Overton, editor-in-chief,  The World’s 100 Best Short Stories

Richard Connell, author of

Richard Connell, author of “The Most dangerous Game” (image courtesy Wikimedia)

You can find some good books at the library. A couple of years ago Lea and I were at our local library donating some books and ran one of those periodic sales libraries have when they get rid of perfectly wonderful books for no reason at all. So, because I’m no fool, I grabbed some good buys.

I bought a set of ten leather bound volumes – first editions, mind you – called The World’s 100 Best Short Stories. Published by Funk and Wagnalls in 1927 and edited by a newspaper editor, writer, and critic named Grant Overton, the set is organized thematically to allow readers to sample stories according to their interests. Besides the “Adventure” theme in Volume 1, there are volumes themed “Romance,” “Mystery,” and “Humor,” for instance. The range of authors goes from popular short story authors of the time of these volumes’ publication like the pictured Richard Connell to classic members of the literary canon such as Victor Hugo to figures who straddled both the popular and literary worlds such as Robert Louis Stevenson. It’s a terrific collection of enjoyable (and enlightening) reading for any mood.

What dd this nifty collection set me back, you ask? Two bucks. $2. Two hundred cents.

Yeah, I got a deal. Continue reading

WordsDay: Literature

Being Queen Elizabeth…the First

Did Elizabeth lift England to greatness or did England make Elizabeth the great queen she became?

“Through all her [Elizabeth’s] wavering and inconstancy, her hesitation and uncertainty, there was one faithful element – her sense of responsibility to her position.” -Katharine Anthony

Queen Elizabeth I (image courtesy Wikimedia)

Queen Elizabeth I (image courtesy Wikimedia)

My latest foray into reading is a classic biography that I found in an antique store. In the mid 1920’s Literary Guild was founded as a competitor to the successful Book of the Month ClubCarl Van Doren, a noted biographer and critic was selected as the first chairman of Literary Guild. Katharine Anthony’s Queen Elizabeth was a best seller for Literary Guild in 1929.

It’s easy to understand why. Anthony writes with the fluidity and ease of a novelist. Though Queen Elizabeth was a quick read, it never felt under researched or careless. Tudor scholars would probably dispute some of the facts as Anthony presents them given that new information about Elizabeth and the Tudor dynasty has likely been discovered. But for compelling narrative, Anthony holds her her own with luminaries such as the aforementioned Carl Van Doren, Barbara Tuchman, David McCullough or Doris Kearns Goodwin. Continue reading

John Ehle’s The Widow’s Trial: a pure woman…

“I was tired now, the weight of the memories was heavy as lead.” – John Ehle, The Widow’s Trial

The Widow's Trial by John Ehle (image courtesy Amazon)

The Widow’s Trial by John Ehle (image courtesy Amazon)

Reading a John Ehle novel is one of those rich experiences like eating Belgian chocolate or drinking fine cognac.  It’s an experience to be savored, enjoyed in a leisurely fashion.

That said, I raced through this Ehle novel in a couple of days.

For readers who think of Ehle in terms of the finest of his work, The Land Breakers or The Road, this novel from much later in his distinguished career may seem – slight is not exactly the word, such a word could probably never apply to Ehle’s work – but it is, one might say, a work of its time.

Its time of publication, the late 1980’s, was the height of a period known in serious literature as the era of Dirty Realism. Ehle is certainly a contemporary of (and probably knew) an originator of this style of fiction, the great Carson McCullers, so he certainly could justify a foray into this type of fiction. And because John Ehle is such a great writer, he certainly owes me, you, nor anyone else any explanation for a damned thing he does artistically. Continue reading

Book Review: Unsafe on Any Campus by Samuel R. Staley

“Rape is a violation of personal sovereignty and the basic principles and values of a free society.” – Samuel R, Staley

Unsafe on Any Campus by Samuel R. Staley (image courtesy Southern Yellow Pine Publishing)

Unsafe on Any Campus by Samuel R. Staley (image courtesy Southern Yellow Pine Publishing)

One of the sad truths about life on college campuses over the last several years has been the rise of what is sometimes called “rape culture.” Professor Samuel Staley of Florida State University has a new book that tries, humbly and intelligently, to address this sad and terrible cultural phenomenon.

Professor Staley became interested in the subject because of his involvement in working with students at Florida State University in self-defense classes. His work led to his becoming a confidant to a number of female students who had experienced sexual assault of one form or another and who grew trustful enough of him to share their stories. Moved by their pain and their search for self-esteem and ways to move beyond their trauma, Sately began researching the topic. An economics professor specializing in public policy, Staley approached the topic in scholarly fashion, conducting both primary and secondary research on campus sexual assault, and Unsafe on Any Campus is larded with direct quotes from leading scholars in the field as well as tables, graphs, and other  representations of the data he gathered on the topic. Continue reading

WordsDay: Literature

I love Beach Music: the heart of darkness

Rick Simmons’ Beach Music sequel is part oral history, part encomium, part bullshit – but it all works.

“I didn’t like ‘Apples, Peaches, Pumpkin Pie.…'” – Jay Proctor, Jay and the Techniques

So my sister gave me this book for my birthday….

Carolina Beach Music: The New Wave by Rick Simmons (image courtesy Goodreads)

Somehow, my sister has the impression that I might like the fusion of R&B, soul, rock, and dance pop that is known in the Southeast as “Beach Music.” Well, I love music, so she was half right. For anyone who grew up in the Carolinas over the last 60 years or so (both North and South, though perhaps SC has the greater claim to the genre since they have all the relevant beaches name checked in beach music songs [chiefly Ocean Drive and Myrtle Beach]), Beach Music (and it really should be capitalized, I suppose), is a regional genre that, while well past its peak, persists even now. Its roots lie in classic R&B, though it has incorporated elements of rock, soul, and dance pop in its long history.

Rick Simmons, a historian at Louisiana Tech (and a native South Carolinian) has written two books on the genre, Carolina Beach Music: The Classic Years and Carolina Beach Music: The New Wave. My sister’s birthday gift this year was a copy of the latter, so I’m going to talk about that here. But first, as I am wont to do, I’ll share an anecdote…. Continue reading

Book Review: Crossing the Blue Line by William Mark

Crossing the Blue Line should be on your “beach read” list.

“All hell broke loose the last time we sat on a deck like this drinking beer, contemplating doing something stupid for the right reason….” – William Mark

Crossing the Blue Line by William Mark (image courtesy Southern Yellow Pine Publishing)

William Mark’s Crossing the Blue Line is the sort of book that some magazines would put into their lists of “great beach reads.” It’s a fast paced, high energy narrative about crooked cops – on both sides of what is known in police jargon as “the blue line.” What sets Mark’s book apart from most such novels is that he gives us crooked cops who take the law into their own hands for the right as well as for the wrong reasons.

Dylan Akers and Beau Rivers, the heroes of Mark’s previous work in this emerging series, are both on thin ice with their superiors at the Tallahassee PD when the novel opens. Both have been demoted and moved to backwater assignments (Akers, a top homicide detective, has been made head of a dead end division of the department; Rivers, the epitome of the “loose cannon” type, has been given an even more dead end assignment) as punishment for having committed a crime that can’t (seemingly) be proven against them: the execution of two criminals who raped and murdered Dylan’s young daughter. Continue reading