It would be enlightening to hear McCartney explain how he came to create such an effecting portrait of loneliness and existential pain.
“I thought, I swear, that I made up the name Eleanor Rigby like that. I remember quite distinctly having the name Eleanor, looking around for a believable surname and then wandering around the docklands in Bristol and seeing the shop there. But it seems that up in Woolton Cemetery, where I used to hang out a lot with John, there’s a gravestone to an Eleanor Rigby. Apparently, a few yards to the right there’s someone called McKenzie.” – Paul McCartney
Any artist who has ever tried to explain the genesis of a work has had the experience. When the work is a significant one, such as Paul McCartney’s “Eleanor Rigby,” interest in the genesis of such a work is high; fans, critics, and music historians all have keen interest in understanding the how and why of such a song.
A song that explores the existential pain of loneliness, “Eleanor Rigby” is the tale of Eleanor and Father McKenzie, the priest in the church where Eleanor “picks up the rice…where a wedding has been….” Eleanor deals with her painful loneliness, McCartney tells us, by living “in a dream.” Father McKenzie, the person that conventional expectation would assume could serve as a comforter for Eleanor, is as lonely and isolated as she is, writing sermons “that no one will hear” and “darning his socks in the night when there’s nobody there.”
Father McKenzie trying to help Eleanor Rigby is a case of a lonely soul unable to help another lonely soul. Continue reading