“Cry Baby Cry” is exactly what we would expect a nursery rhyme to be: a charming sing-a-long with a dark message at its core.
“…I think I got them from an advert – ‘Cry baby cry, make your mother buy’. I’ve been playing it over on the piano. I’ve let it go now. It’ll come back if I really want it. I do get up from the piano as if I have been in a trance.” – John Lennon speaking to Hunter Davies
John said that a commercial gave him the idea for “Cry Baby Cry.”
That may be true. We know, however, from both In His Own Write and A Spaniard in the Works that Lennon was attracted to both fairy tales such as those of the Brothers Grimm and nonsense verse like that of Edward Lear or Lewis Carroll. What “Cry Baby Cry” gives us is John playing with the conventions of the nursery rhyme.
All of these forms – the fairy tale, nonsense verse, and nursery rhyme – come from the need ordinary people have to comment on political, social, and psychological issues peculiar to the cultural contexts in which they were written. Fairy tales were ways for children to learn about life’s dark and sad events such as kidnapping, murder, and deadly accidents; nonsense verse allowed writers to explore complex – and often taboo – subjects such as sexual deviance and mental illness; nursery rhymes most often provided common people with clever ways to comment on political issues (such as the tempestuous rule of Henry VIII’s daughter Queen Mary in”Mary Quite Contrary). Continue reading