NATO intercepted 400 Russian military flights in 2014. That’s four times as many as in 2013. An intercept is necessary when the aircraft is flying with its transponder turned off to avoid detection. The Russian planes do not file a flight plan, meaning they are not supposed to be there, or they file as a commercial aircraft and turn off their transponder because it would identify them as a military aircraft. All NATO planes on all missions have their transponders turned on. Continue reading
The Welsh collection of ancient tales called The Mabinogion is an intriguingly messy collection of tales that run the gamut from myth to romance with a disregard for continuity…
The last of the “folk literature” I’ve completed for this year’s reading list isn’t an epic at all. The Mabinogion is a collection of Welsh tales that offer insights into Celtic mythology, Welsh national legend, and Arthurian romance. It’s the earliest prose collection in English literature. The tales themselves are somewhat older, several of them coming from the oral tradition. There’s some controversy about the collection. One leading medieval literature scholar even argues that The Mabinogion isn’t really meant to be a collection at all. Given what is known about the source works, he has a point. The Mabinogion links mythological tales with heroic tales with Arthurian romances without any other connection than that they’re all Welsh medieval works. That may be enough to satisfy scholarly readers, but it would make the work a challenge for others, even serious readers, without some guidance. So, as I have mentioned before, if you find this work intriguing and decide to read it, choose a good critical edition and read the scholarly information.
The tales divide into three groups. “The Mabinogi” is a set of four tales, one that offers a combination of mythology and folklore. There are two important characters to be noted: the witch Rhiannon (a name know to readers, perhaps, from the Fleetwood Mac song) and Pryderi, a sort of prototype for the important character who shows up in later tales, Arthur of Britain. Continue reading
Horace, like any admirable figure, seeks both to model – and teach – what excellence is in his field….
We end our review of The Works of Horace as translated into English prose by the redoubtable Christopher Smart with a look at the work that has been the anchor for his reputation over at least the last 200 years or so. “Ars Poetica,” or “The Art of Poetry,” is, as I mentioned last time, considered one of the classic works in the history of literary criticism. Like all of Horace’s work, “Ars Poetica” is personal and idiosyncratic. Like all of Horace’s work, it is filled with moments of pathos, bathos, and brilliance.
Some critics have found cause to dispute with Horace, noting that he focuses his critique on epic and dramatic poetry – neither of which he wrote – and that, unlike, say, Aristotle, he is not orderly and systematic in his discussion, wandering from topic to topic, often abruptly. There are a couple of ways of responding to that. Continue reading
In his Epistles, Horace discusses, in a series of verse letters addressed to friends, philosophy, virtuous and independent living, social behavior, and being a poet.
This third in a series of essays on Roman poet Horace looks at his verse epistles. Most readers are probably at least slightly familiar with the form in either verse or prose: Martin Luther King’s “Letter from the Birmingham Jail” is a famous prose example; Alexander Pope’s “Epistle to Dr. Arbuthnot” is usually considered the finest example in verse written in English. In both cases the aim is identical – the writer seeks to offer explanation, defense, justification for him (or her)self and for his/her beliefs, practices, or, as in the cases of both Horace and Pope, poetry style choices.
Horace’s Epistles have some of the gentle sting of his Satires, but there is an ease in these works that one doesn’t find in those previously discussed poems. This is Horace writing to friends for one reasoin earlier essaysn or another on one occasion or another, opening up about his work, his health, his pleasures, his annoyances, his hopes, his fears. There’s a freedom to the poet’s writing here that both intrigues and enlightens the thoughtful reader and gives us insight into Horace the man that neither the Satires, aimed as they are at allowing the poet to show off his mastery of analysis and commentary, nor the Odes, meant as they are to be “public” works demonstrating poetic skill and mastery of craft, allow. These works, while equally as skilled as those mentioned above, are the poetic equivalent of good conversation over drinks between friends. Continue reading
A “Tokyo Panic Story” far removed from Middle East politics…
I once tripped through these lands like a god,
like the pure embodiment of all the liquor
the Allies ever drank in Tokyo.
It is quiet here now,
and the Americans are gone,
but I know these streets.
Horace uses satire in a gently amused (and bemused) way to point out the foibles of human nature. He’s not so much wanting to tear people a new one for being the way they are as he is interested in a thoughtful, even academic way in why we do the foolish things we do to ourselves.
This second essay on the Works of Horace in the Christopher Smart prose translation looks at the great poet’s satires. Horace wrote two books of satires, a total of 18 poems. These satires were his first great successes as a poet and signaled that Horace was one of the great poets of the Augustan Age. on His influence on this genre of literature was so great that his style of handling the genre is known in literary/scholarly circles as Horatian satire.
Before we dig into the works themselves, however, it might be good to make clear what’s meant by “Horatian.” Horace’s greatest rival as a satirist is a Roman poet named Juvenal who lived roughly 100 years after Horace. Where Horace is gentle and good natured in his criticisms of the foibles of his fellow Romans, Juvenal is biting, even bitter in his attacks on human frailties. Where Horace hopes to see better from people, Juvenal demands that people should behave more acceptably. Continue reading
Disagreements about whether The Song of Roland is about Roland’s heroic (and foolhardy) geste or about the ultimate triumph of Charlemagne over enemies within and without his empire seem less important with this re-reading than noting how many people die for that amorphous and deadly social construct we call honor….
As I make my way methodically through the works of Horace (3 books of odes down, one more to go, then epodes, satires, and his “Art of Poetry”), I’ve been reading at the same time in the epics on my 2015 reading list. I’ve finished The Saga of the Volsungs and am now digging into the Song of the Niebelungs. This made more sense to me than my original plan which was to read about the Volsungs, then go off and do some medieval Chinese poetry before Das Nibelungenlied. Since the German epic tells a version of the Volsung story, I’ll write about those two together – and be able to discuss how a Viking saga got changed for the purposes of courtly literature. Given this dive into epic lit, I’ll probably take on The Mabinogion, the Welsh epic, before heading east for Chinese courtly poetry.
That said, astute readers (and I know you all are) will notice that this essay is clearly going to be about a work not even on the original 2015 reading list. I was (where else?) in my favorite used book store last week when I came across this version of The Song of Roland. It was nearly a giveaway it was so cheap, so naturally I scooped it up. As I mentioned above, it seemed apropos given that Horace is, while most rewarding, in an 1890’s prose translation sans notes (always read the notes, students) that is costing me extra time as I do some background work so that I understand both poet and translator fully, that I read something along with that noble Roman. I raced through the Volsung saga (in a good critical edition) and now the Chanson de Roland (in a good critical edition). Continue reading
Historian Barbara Tuchman’s The Guns of August clearly illuminates the truth of war: in any era it is what is done wrong as much as what is done right that decides conflicts….
The first book from the 2015 reading list was a Christmas present. I have long been an admirer of historian Barbara Tuchman and have long considered her superb A Distant Mirror: The Calamitous 14th Century among my favorite books of any genre. Given that 2014 was the centennial year for the beginning of World War I, I began looking for a copy of her Pulitzer winning exploration of the first months of that “war to end all wars,” The Guns of August sometime last year. Alas, because of my dedication to what we might call “book rescue” (I try to buy used books whenever I can), I found myself (I suspect) competing with others who thought “Hey, its the centennial of the Great War – good time to read (or re-read) Barbara Tuchman.”
So I floundered about trying to catch a used copy at my favorite book stores both physical and online. No luck. Eventually, my interest waned and when I put the book on my Christmas list, it was with little hope that even my clever and perspicacious Lea could find a copy for a Christmas present.
Oh, me of little faith. Find one she did, and I spent the holidays working my way through this fascinating account of the beginning of World War I. Continue reading
“Their prophet is Satan. There is no connection between the Islamic faith and this minority.” -Hassan Chalghoumi, an imam of the Paris suburb of Drancy
“Zeal, in religion, is a pure and enlightened attachment to worship of the Divinity and its maintenance and progress; but when it grows blind and false and takes to persecution, it becomes the greatest scourge of humanity.” – Voltaire, Questions on the Encyclopedia
I am crying as I type this, listening to La Marseillaise over and over in the headphones. The beauty of the Republic of France, which even we Americans envy, is your resolve. While American revolutionaries stopped with a new system of government, the people of France devoted decades to reforming the very fabric of society. We shook hands as fellow citizens. You embraced as brothers. We shook off the physical shackles of tyranny. You rooted it out in your hearts and minds, looking where we dared not, holding a mirror before the entire human condition, willing the change that only comes from within. Continue reading
The Modern Mercenary—Private Armies and What They Mean for World Order, Sean McFate, Oxford University Press, 2014.
George Orwell is often credited with the quote, “People sleep peaceably in their beds at night only because rough men stand ready to do violence on their behalf.” He didn’t say it of course. Famous people almost never said the things that are attributed to them, but the quote resonates because of its fundamental truth: Most of us cannot protect ourselves and depend on a network of rough men—police, military, etc.—to allow us to sleep soundly.
One particular group of rough men, mercenaries, occupy an outsized place in our mythology. Whether it’s Kurosawa’s ronin or Sturges’s Magnificent Seven or Forsyth’s Dogs of War, the less violent among us cling to the idea that when all else fails we can call on the services of a group of hard but principled men who will step in and save us from those who would do us harm. Interestingly, based on the number of Web sites and periodicals devoted to becoming a mercenary, it appears that almost as many dream of being those rough men. Continue reading
Nor does glossing over the Islamic State’s ultraviolence help make the case for non-intervention.
On Dec. 18, the Guardian published a report by a team of reporters, including Focal Points contributor Ali Younes, titled The race to save Peter Kassig, the American aid worker who the Islamic State captured and ultimately beheaded. The article is full of juicy details such as this about Islamist ideologue Abu Muhammad al-Maqdisi:
On 18 October, Cohen and Abdel-Rahman flew from Kuwait to Jordan, and checked into the Four Seasons hotel in Amman. Two days later, they finally met Maqdisi, who arrived at the Four Seasons in his beat up ‘97 Hyundai. They set off for Maqdisi’s home, in a relatively poor neighbourhood 10 miles north of Amman. On the way, Maqdisi’s car broke down. Cursing and stuck in the middle of a traffic jam, Cohen said Maqdisi opened up the hood and started beating the engine with a wrench. Five minutes later they were off again. Continue reading
As you may or may not have heard, Rep. Steve Scalise (R-La), House Majority Whip since August, spoke in front of some bad people back in 2002. The story was broken at a (mostly) Louisiana political blog, CenLamar, by blogger Lamar White, Jr. Steve Scalise reportedly had spoken in front of a conference held by an organization founded by none other than ex-Grand Wizard of the Ku Klux Klan and Louisiana political darling (sorry, Louisiana, but you wet your own nest, so the stink sticks), David Duke. Continue reading
Fill in the blank: rape is morally acceptable when __________.
Time. Pencils down.
I don’t know about you, but there was never a point in my life when I needed to be told that there is no such thing as a good answer to this question. But let’s define our terms, shall we? In January 2012, the FBI finally updated its definition of rape:
“The penetration, no matter how slight, of the vagina or anus with any body part or object, or oral penetration by a sex organ of another person, without the consent of the victim.” [emphasis added]
Furthermore, the Department of Justice clarified: Continue reading
After 54 years, the United States will finally do the right thing, normalize its relations with Cuba and end its embargo. The embargo may be the longest-lasting ineffective and nonsensical foreign policy in US history. This means that twenty years after getting my Masters in Latin American history, I will finally be able to legally visit one of the countries I read so much about. I’ve always supported the idea that the best way to “open” Cuba would be to normalize relations and expose Cubans to the flood of ideas–rather than trying to strangle it–ineffectually–into submission. Continue reading
It’s not Santa Claus vs. the Martians – it’s Santa Claus (sorta) vs. the DEA – which is, come to think of it, almost as nuts…
Sam Staley’s latest book is a Christmas story. It’s not, however, the sort of Christmas story ones hears in homes on Christmas Eve. There are no shepherds “keeping watch over their flocks by night” or flying reindeer jockeyed by a “right jolly old elf.” Staley’s book is a Christmas story with all the 21st century twists: the North Pole is home to NP Enterprises, a slickly run distribution company with billions in revenues and a 26 year old MIT trained computer geek CEO named Nicole who employs large numbers of talented, intelligent people who happen to have the condition known as – you guessed it – dwarfism; its ability to operate is based on economic funding from a 21st century source – a computer operating system superior to others on the market; and its problems within the narrative come from overzealousness on the part of a government official.
NP Enterprises is a family owned business founded by Nicole’s great grandfather, a Dutchman named Nicholas Klaas, who moved to the Far North and began making toys which he sold to trappers and hunters for their children. Continue reading
New sanctions legislation against Iran would alienate Europe, Russia, and China.
“Buoyed by the failure of the US and five other powers to reach a comprehensive agreement with Iran over its nuclear program,” writes Jim Lobe for Inter Press Service, “pro-Israel and Republican hawks are calling for Washington to ramp up economic pressure on Tehran even while talks continue, and to give Congress a veto on any final accord.” But, he continues,
Most Iran specialists here believe that any new sanctions legislation will likely sabotage the talks, fracture the P5+1, and thus undermine the international sanctions regime against Iran, strengthen hard-liners in Tehran who oppose accommodation and favour accelerating the nuclear programme. Continue reading
Durrell raises a question we are most afraid to answer: whether, as his character Clea asserts, “Lovers are never equally matched….” Is that, he asks, the source of the pain so many experience in love…?
We come now to another novelist who, like Paul Bowles, skirts the edge of wide acceptance as a major literary figure. Lawrence Durrell’s reputation rests on a group of novels called The Alexandria Quartet. The first of these is called Justine after the main character, a reluctant siren whose mystique pervades the work. It’s the latest from my 2014 reading list, and it’s a work that offers one the challenge of deciding whether to focus one’s discussion on the quality of the writing, the themes the novel explores, or the complexity of the story.
To treat Justine fairly, it’s probably best to talk at least a bit about each. This is a novel in which writing, story, and themes are intricately woven. Durrell came under consideration for (and close to winning in 1962) the Nobel Prize on at least two occasions based on this work (and the others in the tetralogy). Justine offers a good example of why. Continue reading
Next up: Issa to investigate House Intel Committee?
Associated Press reports, as seen here at Time, that the House Intelligence Committee has released a new report on the Benghazi tragedy. Or, as AP put it, “The House Intelligence Committee report was released with little fanfare on the Friday before Thanksgiving week.” Why might that be? What could possibly be in a Republican-led Intelligence Committee report about Benghazi that the GOP wouldn’t want plastered all over the place for everyone to see? Read on. Then get the report straight from the horse’s mouth.
Debunking a series of persistent allegations hinting at dark conspiracies, the investigation of the politically charged incident determined that there was no intelligence failure, no delay in sending a CIA rescue team, no missed opportunity for a military rescue, and no evidence the CIA was covertly shipping arms from Libya to Syria.
Where were you when you heard the news? Continue reading
Like other classics of of what might be called pioneer literature, Louis Hémon’s classic of Quebecois literature Maria Chapdelaine conveys the love of a people for the land in a way that is beautifully simple and simply beautiful.
Maria Chapdelaine belongs to a noble tradition of what we can call pioneer literature. (It might also be called agrarian literature, but that term has come to be associated with the Fugitive Movement in Southern literature that began at Vanderbilt University in the 1920’s.) Most readers have some experience with such books, especially in young adult literature – many have read at least one of the Little House books of Laura Ingalls Wilder or Lucy Maud Montgomery’s Anne Shirley series.
More mature – and sophisticated – readers may be familiar with works such as Sergei Aksakov’s The Family Chronicle or any of several novels by Willa Cather, particularly O Pioneers! or My Antonia. These are works that celebrate the difficult but rewarding lives of settlers, lives that are quietly heroic and which are tied to the rhythms of the land whether that land is on the Russian steppes or the American plains.
Maria Chapdelaine stands slightly apart from these other examples of pioneer literature for a couple of reasons. Continue reading