Every writer wants a “Big Book”; the question is – why…?
One of the phenomena of the last 30-40 years of publishing has been the “Big Book.” You know the language that is associated with such works: “Must Read!” “Stunning!” “A Triumph!” These “career making” successes have been, for the most part, mixed blessings for the writers lucky? talented? deserving? enough to catch the zeitgeist of the reading public. Some writers have used these as springboards to great commercial success; others, usually the literary fiction types like Michael Ondaatje, the subject of this essay and the author of The English Patient, have found them helpful (Mr. Ondaatje has had a long, distinguished career in literary work as both a poet and novelist before and after this novel found great success) – at least, I assume he found it so.
I’ve chosen a few “Big Book” selections for my 2014 reading list and its update. The English Patient is the first of these and in both its iterations it reflects the classic characteristics of the “Big Book” phenomenon…. Continue reading