Almost forgotten as a writer now, Ben Ames Williams’s novels and stories represent the most interesting of American literary legacies – market driven art….
This essay concerns one of the novels of Ben Ames Williams. If you’re asking yourself “Who?” be assured that you’re not alone. A very successful “popular fiction” writer of the first half of the 20th century, Williams is almost forgotten now. The novel we’ll be discussing shortly is called The Strange Woman and was published when Williams was at the height of his popularity. The novel itself is…okay. The writer who produced it is fascinating as an example of a writer who made his creative decisions with a watchful eye to the market and whose oeuvre, as a result reflects that watchfulness – and whose literary reputation also reflects that watchfulness.
I have written on multiple occasions about the American reading public’s interests, partly because I have wanted to understand the literary marketplace better myself, partly because as a writer who now lives in the purgatory assigned to the vast majority of those who write “literary fiction,” I have often looked with envy at those who have been able to navigate the labyrinth of American publishing in ways that have given them great success – both popular and financial (let me note here that no artist is averse to making money, no matter how much he/she may protest that art should be an act of illumination for humanity and money be damned). Continue reading