Great new music for fall: Saturday Video Roundup

Chvrches, Metric, Meg Myers and IAMX lead the charge into autumn

No major theme today – just some cool new discoveries. Let’s start with the latest from Chvrches – folks, end to end this is one of the absolute best pop CDs I have ever heard. “Leave a Trace” is the lead single and it’s the earworm from hell, but I’m not sure it’s one of the five best songs on the disc.

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When a capella met metal: Saturday Video Roundup

So, I wake up this morning to find that Frank Balsinger has uncovered an a capella take on Rammstein’s “Du Hast.” Because of course somebody would have to do that, and of course Frank would find it. So for SVR today, let’s enjoy some a capella abomination. I guess that would be a bomination, huh?

First, Viva Vox, and if you don’t get why this is so great, by all means click the link above and review the original.

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Nathaniel Rateliff & the NightSweats: CD of the Year candidate

Okay, the verdict is in. I’ve spun the eponymous Nathaniel Rateliff & the Nightsweats at least 20 times now and it’s a legit CD of the year candidate. I’m hearing influences ranging from Sam Cooke to Van Morrison to old Appalachian gospel. Let’s check a couple vids, shall we? Here’s the one people seem to be raving about, “SOB.”

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The National’s enigmatic darkness: Saturday Video Roundup

I was listening Sunday night to The National’s most recent album, Trouble Will Find Me. As I lay there with headphones on and the first song playing, I thought, “I don’t know why I don’t listen to these guys more often.” Minutes later, I remembered: Regret, sadness, and a failure to connect with people permeate The National’s songs. Sometimes we need to be reminded we’re not the only people in the world whom trouble has found. Other times, we don’t need to be reminded. The National often belongs in the “other times” category. Continue reading

Saturday Video Roundup: Wherefore art all the protest songs?

And now for something slightly different

Shadowproof posted Let us never ask where the protest music has gone ever again.

Kevin Gosztola, a Firedoglake alumnus, raises a cultural dilemma and proposes his own solution.

There is a recurring story media organizations like to publish. The story typically asks where all the protest music has gone or something like that. Or, the writers ask, who is this generation’s Bob Dylan?

This perspective has seeped into the consciousness of Americans. One thread on Reddit asked:

With all the racial and class tension in the past year or two, I’m really surprised that there hasn’t been much in the way of protest songs. At least not that I’ve heard. My generation had Rage Against the Machine (whose lyrics seem even more relevant today). What artist is carrying their torch today?

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What bands do you miss? (It’s a fastidious and precise Saturday Video Roundup, bitches.)

Sometimes bands we love break up. Or someone dies. Or … maybe they just slide from relevance. If you’re like me, there are a lot of acts who fit this description. I miss Space Team Electra so bad it hurts, for instance. REM faded away more or less gracefully, but still I long for 1984.

Here are some bands and solo artists I miss. Feel free to chime in with your own in the comments.

First, Lush.

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Lindemann’s “Praise Abort”: Saturday Video Roundup

Oh look, Till Lindemann from Rammstein has a new side project with Peter Tägtgren of Hypocrisy and Pain. What are the critics saying?

Pigs, blood, phlegm and characters right out of a Hieronymus Bosch painting alternatively play in morbid grime or on a virginal white stage. Heavy guitar sounds, dark choirs and driving drum beats surge in the background. The lyrics are laced with hatred: “I hate my life, and I hate you / … / I hate my kids, never thought / That I’d praise abort.”

Yeah, that sounds about right. So for SVR let’s watch the first video, and then celebrate Till’s genius with a couple of the high spots from his work with Rammstein. Strap in, bitches.

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J-Pop just breaking new gate: Saturday Video Roundup with BabyMetal, Band-Maid and Dir En Grey

It was a big week for Japanese Pop. Turns out SONY has signed Metal/GirlPop fusioneers BabyMetal, with designs on taking over America. And earlier in the week I discovered Band-Maid. It only seemed right that I’d share all this, plus a little bonus, with our readers.

Let’s start here.

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Music and Popular Culture

“Goodbye,” from The Well Wishers: Saturday Video Roundup

Greetings from the Pop Underground – here’s a track from one of my best CDs of the year…

Those who follow along know that I have a weakness for “Power Pop” – that retro, guitar-driven genre originally practiced by the likes of The Beatles, The Beach Boys, Badfinger, Big Star, The Who, The Raspberries, and others of that ilk. You don’t hear it much on the radio, sadly (although Foo Fighters have been on a roll of late) – we’re talking about a largely underground movement here – but that doesn’t mean it isn’t as dynamic as ever.

One of my favorite practitioners of the craft, The Well Wishers, released a new CD this year. It’s called A Shattering Sky, and like everything else Jeff Shelton has done in his various incarnations (WW, The Spinning Jennies, Hot Nun), it’s packed to the rafters with ringing guitars and melodic hooks and positively viral earworms – if you’re like me this disc will be buzzing around in your head for days. Continue reading