As technologies have been developed and then evolved, artists have exploited them in the creation of art. But is it possible to reach a point where technology exploits artists – and through them art?
(For previous essays in this series, look here.)
The work of the late Neil Postman, especially in the camps of those who sing the praises of our current era of rapid technological innovation and implementation, is treated with, if noted at all, skepticism bordering on disdain. Reactions to his 1993 classic Technopoly: the Surrender of Culture to Technology even went so far to to accuse him being a Neo-Luddite.
But Postman raises important questions about society’s relationship to technology and asks that hard question for which none of his critics (this may explain the dismissiveness of some) seem willing to offer an answer: Do we control technology – or does technology control us?
Such a difficult – and profound – question seems important for art and artists for a number of reasons. Continue reading